A Royal Experience: Richard Gallion’s A Fall From Royalty

By LaDonna Raeh

From the moment I arrived at the APC Theater for the 2 PM show of A Fall From Royalty, I could feel the excitement in the air. Sponsored by DaleCo Transportation, this production, written and directed by Richard Gallion, had people lined up at least an hour before doors even opened. It wasn’t just another play—it was a cultural event, a powerful reimagining of history, and a celebration of Black excellence in a way that we rarely see on stage.

More Than Just Slavery—A Story About Our Greatness

Gallion made it clear from the start—he wanted to tell our stories beyond the limitations of history books. “I hate that the school system teaches us that we were just slaves,” he said. His play challenges that narrative, reminding audiences that before enslavement, we were kings, queens, and warriors—a truth too often left untold.

And the community showed up for it. Black-owned businesses filled the venue with food, clothing, and more, while longtime supporters of Gallion’s work spoke about how they never miss one of his productions. The Calumet Choir and an active senior group filled the seats, showing just how wide-reaching and impactful his storytelling is.

A Spectacle of Sound, Dance, and Black Royalty

As soon as the play began, the theater came alive with the sounds of drums and tribal instruments, setting the tone for a story deeply rooted in African heritage. We were introduced to King Kweku, his queen, Prince KJ, Princess Kweeni, and Princess Kweani, all adorned in regal, African-inspired attire that showcased the beauty of our ancestry.

The choreography by Reds Angels Anthony was breathtaking, with African-inspired dance sequences weaving through the aisles before reaching the stage. It was an immersive experience—one where history, pride, and power met in every movement.

A major standout was the stunning wardrobe designed by Corrine Victoria, whose work made each character look authentic, royal, and visually striking. Every fabric choice, accessory, and intricate detail brought the African kingdoms to life, further deepening the audience’s connection to the story.

A King’s Decision That Changed History

The storyline took a dramatic turn when King Necca made an unannounced visit. While King Kweku sought more riches for his kingdom, he did not realize that his decision would change history for the next 400 years.

The play doesn’t just tell us what happened—it makes us feel it. From the intense fight choreography (brilliantly arranged by Brandon and Royce Hargrove) to the emotional performances of enslaved people flashing back to their African homeland, every moment pulled the audience deeper into the weight of history.

One of the most thought-provoking moments came when a question was posed:

If he could take it all back, would he?

And in a stunningly crafted reverse scene, we got to see what would have happened if history had unfolded differently.

Standout Performances & Production Excellence

The cast was stellar.

• Richard Gallion played King Kweku, a man of royal power and wealth.

• David Leonard played Kumba, King Kweku’s general, delivering a commanding presence on stage.

• Royce Hargrove (King Necca & Joe) and Danny (King Jafu) brought depth to their roles, particularly in connecting the story to the Atlantic Slave Trade.

• Matthew Alan Porter as European King Ed and Emma Terrazas as his wife, Sara Lee, added layers to the story’s historical complexity.

• Lorenzo T. Hughes portrayed King Henry, a European king, with incredibly detailed makeup that transformed him completely into a convincing White ruler.

Behind the scenes, the production was equally impressive.

• April Lowrey, typically the production manager, work as a volunteer and shared her perspective:

“Our goal is to show the goodness and grace of God. We hope that shines through everything we do—from our smiles to the work we put into this.”

• Audrey helped manage the production, and 12-year-old Jaylen operated the screens after participating in fasting and Bible study with the cast.

Don’t Miss the Next Show!

With Chicago’s Home of Chicken and Waffles sponsoring the food and Richard Gallion Entertainment creating another masterpiece, it’s no surprise that this show is selling out fast.

The next performance of A Fall From Royalty on February 28th is already sold out, but March 2nd still has tickets available.

And if you want more powerful storytelling, mark your calendars for Gallion’s next play, When Silent Screams, on April 11th and 12th.

If you haven’t seen A Fall From Royalty yet, do yourself a favor and experience it. It’s Black history, Black excellence, and Black storytelling at its finest.